In Small Revolutionaries, Mai Anh Nguyen analyzes the life histories of young Vietnamese who participated in the military struggle against the US and its South Vietnamese allies from 1955–1975. Their contributions took many forms: intelligence gathering; camp care and maintenance; even the building and destruction of roads using simple tools. Through these activities and others, young people contributed to the victory of the Vietnamese revolutionary forces.

Desiring Thai Men traces the transformative influence of vernacular Thai-language media on Thailand's gay communities from the 1980s through the 2010s. Narupon Duangwises and Peter A. Jackson analyze dramatic changes in the visual representation and languaging of masculine desire and sexual identity among Thai gay men that were reflected in Thai gay magazines and gendered practices in Bangkok's gay bars, fitness centers, and video chatrooms.

In Fugitive Tilts, the poet Ishion Hutchinson turns to prose to create an incomplete biography of love: love of poetry, discovered in childhood; love of home, with its continual disconnections and returns; and love of the works and artists—from Treasure Island, to John Coltrane, to the Jamaican music of his youth—that look over him with an angel’s aura.

Winner of the 2023-24 William F. Sibley Memorial Subvention Award for Japanese Translation.

The Kitchen God and His Wives is a modern folk epic on the origin of the Stove God, widely venerated across China. In this tale, the Stove God (or Kitchen God) begins as a mortal man who owes his wealth and success to his loyal wife, the long-suffering Guo Dingxiang. Guo's ungrateful husband divorces her, losing his fortune and eventually becoming a beggar. When he receives charity from his former wife, he is filled with remorse and kills himself by jumping into the stove. This act elevates both the man and his wife to godhood.

The Dialectics of Absolute Nothingness investigates the appropriations, critiques, and innovative interpretations of German philosophy by the Kyoto School, showing how central concepts of German philosophical traditions found a place within non-Western frameworks such as Zen and Pure Land Buddhism, thereby transcending the original Western context.

Worm-Time challenges conventional narratives of the Cold War and its end, presenting an alternative cultural history based on evolving South Korean aesthetics about enduring national division. From novels of dissent during the authoritarian era to films and webtoons in the new millennium, We Jung Yi's transmedia analyses unearth people's experiences of "wormification"—traumatic survival, deferred justice, and warped capitalist growth in the wake of the Korean War.

Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore.

In Fuzzy Traumas, Tyran Grillo critically examines the portrayal of companion animals in Japanese literature in the wake of the 1990s "pet boom." Blurring the binary between human and nonhuman, Grillo draws on Japanese science fiction, horror, guide-dog stories, and a notorious essay on euthanasia, treating each work as a case study of human-animal relationships gone somehow awry.

The Welfare Workforce is a thought-provoking exploration of mental health care in the United States and beyond. Although all the affluent democracies pursued deinstitutionalization, some failed to provide adequate services, while others overcame challenges of stigma and limited resources and successfully expanded care. Isabel M. Perera examines the role of the “welfare workforce” in providing social services to those who cannot demand them.