In Chasing Archipelagic Dreams, David R. Saunders demonstrates that the withdrawal of the British imperial state from Sabah did not result in the decolonization of the territory. From the late 1940s to the 1960s, international anti-colonialism interacted with regional competition over Sabah to result in a paradoxical increase of British power and influence on the ground. Meanwhile, ethnic, social, and political heterogeneity in Sabah contributed to fragmentation and disunity, undermining the development of a local anti-colonial movement.

Amir Sjarifoeddin explores the experiences of a central figure in the Indonesian revolution, whose life mirrored the idealism and contradictions of the anti-colonial and post-war world of twentieth century Indonesia.

Contesting Indonesia explains Islamist, separatist and communal violence across Indonesian history since 1945. In a sweeping argument that connects endemic violence to a national narrative, Kirsten E. Schulze finds that the outbreak of violence is related to competing local notions of the national imaginary as well as contentious belonging.

In The Politics of Coercion, Neil Loughlin explains the persistence of Cambodia's authoritarian regime for more than four decades. It provides a historically grounded investigation of the country's ruling coalition: political elites, many drawn from within the state's coercive apparatus who, in coordination with state-dependent tycoons, have come to control Cambodia's politics and its economy. Loughlin presents new empirical data foregrounding the coercive underpinnings of the modern Cambodian state and its party, the Cambodian People's Party (CPP).

In InterAsian Intimacies across Race, Religion, and Colonialism, Chie Ikeya asks how interAsian marriage, conversion, and collaboration in Burma under British colonial rule became the subject of political agitation, legislative activism, and collective violence.

Fire Dancers in Thailand's Tourism Industry explores the evolution of fire dancing from informal community jam sessions into the iconic, tourist-oriented performances at beach parties and bars, through a close consideration of the role of affect in the lives of fire dancers in the ever-changing scene.

Indonesia is a semi-annual journal devoted to the timely study of Indonesia's culture, history, government, economy, and society. It features original scholarly articles, interviews, translations, and book reviews. Published since April 1966, the journal provides area scholars and interested readers with contemporary analyses of Indonesia and an extensive archive of research pertaining to the nation and region.

Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation.

The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era.

Kyokutei Bakin's Nansō Satomi Hakkenden is one of the monuments of Japanese literature. This multigenerational samurai saga was one of the most popular and influential books of the nineteenth century and has been adapted many times into film, television, fiction, and comics.