Winner of the 2023-24 William F. Sibley Memorial Subvention Award for Japanese Translation.

The Kitchen God and His Wives is a modern folk epic on the origin of the Stove God, widely venerated across China. In this tale, the Stove God (or Kitchen God) begins as a mortal man who owes his wealth and success to his loyal wife, the long-suffering Guo Dingxiang. Guo's ungrateful husband divorces her, losing his fortune and eventually becoming a beggar. When he receives charity from his former wife, he is filled with remorse and kills himself by jumping into the stove. This act elevates both the man and his wife to godhood.

The Dialectics of Absolute Nothingness investigates the appropriations, critiques, and innovative interpretations of German philosophy by the Kyoto School, showing how central concepts of German philosophical traditions found a place within non-Western frameworks such as Zen and Pure Land Buddhism, thereby transcending the original Western context.

Worm-Time challenges conventional narratives of the Cold War and its end, presenting an alternative cultural history based on evolving South Korean aesthetics about enduring national division. From novels of dissent during the authoritarian era to films and webtoons in the new millennium, We Jung Yi's transmedia analyses unearth people's experiences of "wormification"—traumatic survival, deferred justice, and warped capitalist growth in the wake of the Korean War.

Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore.

In Fuzzy Traumas, Tyran Grillo critically examines the portrayal of companion animals in Japanese literature in the wake of the 1990s "pet boom." Blurring the binary between human and nonhuman, Grillo draws on Japanese science fiction, horror, guide-dog stories, and a notorious essay on euthanasia, treating each work as a case study of human-animal relationships gone somehow awry.

Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation.

The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era.

Kyokutei Bakin's Nansō Satomi Hakkenden is one of the monuments of Japanese literature. This multigenerational samurai saga was one of the most popular and influential books of the nineteenth century and has been adapted many times into film, television, fiction, and comics.

Textual Cacophony explores the behaviors and routines of communication within anonymous internet culture in Japan. Focusing on the video sharing website Niconico, social media aggregation sites, and the notorious 2channel message board, Daniel Johnson uncovers these sites' complex cultures of writing that obscure meaning through playful and opaque forms of deviant script and overwhelming waves of text. Those practices conflate language with images, meaning with play, and confound individual representation with aggregate forms of social identity.