Speaker: Ding Xiang Warner, Professor of Chinese Literature, Cornell University

Abstract: The usual procedures of the scholar of Chinese poetry, when asking the question “What is the meaning of this Chinese poem?,” are familiar and generally reliable. Whether we ask the question about a poem’s “original meaning,” a meaning intended by its author, or about the meanings that accrued to the poem in its reception by readers over time, the meanings for which the poem earned a “place” in Chinese literary tradition, there are rich scholarly resources and time-tested methodological tools that help us to work out answers, even if tentatively. How, though, is the task of the literary historian complicated, how are the meanings of a Chinese poem affected, when it and its Chinese readers are “uprooted” from their native land, transported out of their cultural milieu into another? This presentation takes up these questions by way of examining engraved Chinese poems found on WWI trench art made by Chinese volunteer workers on the Western Front in Europe as opportunities for expanding study of classical Chinese poetry outside its expected contexts.

About East Asia Program

As Cornell’s hub for research, teaching, and engagement with East Asia, the East Asia Program (EAP) serves as a forum for the interdisciplinary study of historical and contemporary East Asia. The program draws its membership of over 45 core faculty and numerous affiliated faculty, graduate, and undergraduate students from eight of Cornell’s 12 schools and colleges.

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