Learn how you can turn observations into scientific data using the live Bird Cams Panama Fruit Feeder Cam hosted by the Cornell Lab of Ornithology. The Bird Cams Lab project uses the power of audience participation to make new discoveries about bird behavior using Bird Cams footage. The current investigation is called Battling Birds: Panama Edition. Watch as tropical birds vie for food and position against the backdrop of a lush cloud forest. Anyone can participate in Bird Cams Lab. Learn how by tuning into our conversation with Project Leader Rachael Mady and Bird Cams Communications Specialist Ben Walters.

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Image: Clay-colored Thrush and Rufous Motmot © Cornell Lab Bird Cams

Sponsored by the Central New York Humanities Corridor from an award by the Andrew W. Mellon Foundation

Paul Humphrey received his PhD in Modern Languages from the University of Birmingham (2013), and his research focuses on gender, sexuality and African-derived religions in Caribbean literature. His monograph, Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits (2019), was published in the Studies in Hispanic and Lusophone Cultures Series at Legenda (Cambridge, UK), an imprint of the Modern Humanities Research Association. Paul has published peer-reviewed articles in Sargasso, Studies in Comics, Journal of Haitian Studies, International Journal of Francophone Studies, Bulletin of Hispanic Studies and in the edited volume Capital Culture: Perspectives in Ethnic Studies II (2019).

Paul has taught courses on Caribbean and Latin American literature and cultural studies, gender studies, and Spanish and French language. His current research project focuses on identity, gender and sexuality in Caribbean speculative fiction and comics, a topic featured in the September 2019 issue of Colgate Research.

Co-Sponsored by: Latin American Studies Program, Latina/o Studies Program, Department of Comparative Literature, Cornell Cinema, and the Migrations Initiative

Sponsored by the Central New York Humanities Corridor from an award by the Andrew W. Mellon Foundation

This found footage, single-channel video installation contemplates borders, migration, and human-animal relations in the context of bilateral management of “transboundary pests,” particularly gregarious desert locust swarms in South Asia. The piece brings together mobile phone videos of a series of desert locust swarms in 2019 shot by Indian Plant Protection Officers with rumors and allegations that Pakistan (an “enemy state”) sends swarms of locusts across the border to destroy Indian crops. The title, “Gregarious Species” is at once a celebration of the profuse force of human-animal sociality and also a critique of the ways border regimes deny a cross-border sociality to human migrants.

Natasha Raheja is an anthropologist working in the areas of migration, citizenship, and ethnographic film. Her current documentary video project, Kitne Passports? (How many Passports?), visualizes the migration trajectories of Pakistani Hindu families in India from different caste backgrounds. The documentary is a companion to her book manuscript, From Minority to Majority: Pakistani Hindu Claims to Indian Citizenship. The book is an ethnographic account of Pakistani Hindu migration to India and theorizes the flexibility of the religious minority form and the endurance of caste across state borders in South Asia. Together, this work explores the relationships between religious nationalism, state machinery, and modes of cross-border belonging in the context of majority-minority relations in liberal democracies. Extending her interest in uneven mobilities and borders, she is also completing an experimental short film series on the movement of non-human animals and everyday objects across the India-Pakistan border. Films in the series include: A Gregarious Species, Kaagaz ke chakkar, and Enemy Property. As part of her fieldwork, she has conducted collaborative documentary filmmaking workshops with Pakistani Hindu middle-school students to understand and amplify their perspectives on life in India. Professor Raheja’s scholarship has received generous support from the Fulbright Commission, the Wenner-Gren Foundation for Anthropological Research, the American Institute for Indian Studies, the NYU Vice Provost’s office and several other endowments. Her films have screened at colleges and festivals nationally and internationally and my publications have featured in the Journal of Refugee Studies, American Anthropologist, and Visual Anthropology Review.

Co-Sponsored by: Latin American Studies Program, Latina/o Studies Program, Department of Comparative Literature, Cornell Cinema, and the Migrations Initiative