Peer-reviewed article by Einaudi's Migrations faculty fellows, Gunisha Kaur and Stephen Yale-Loehr.

Losing Istanbul offers an intimate history of empire, following the rise and fall of a generation of Arab-Ottoman imperialists living in Istanbul. Mostafa Minawi shows how these men and women negotiated their loyalties and guarded their privileges through a microhistorical study of the changing social, political, and cultural currents between 1878 and the First World War.

Sounding Out the State of Indonesian Music showcases the breadth and complexity of music in and of Indonesia. By bringing together chapters on the merging of Batak musical preferences and popular music aesthetics; the vernacular cosmopolitanism of a Balinese rock band; the burgeoning underground noise scene; the growing interest in kroncong in the United States; and what is included and excluded on Indonesian media, editors Andrew McGraw and Christopher J. Miller expand the scope of Indonesian music studies.

In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila.

Indonesia is a semi-annual journal devoted to the timely study of Indonesia's culture, history, government, economy, and society. It features original scholarly articles, interviews, translations, and book reviews. Published since April 1966, the journal provides area scholars and interested readers with contemporary analyses of Indonesia and an extensive archive of research pertaining to the nation and region

Indonesia is a semi-annual journal devoted to the timely study of Indonesia's culture, history, government, economy, and society. It features original scholarly articles, interviews, translations, and book reviews. Published since April 1966, the journal provides area scholars and interested readers with contemporary analyses of Indonesia and an extensive archive of research pertaining to the nation and region.

We are currently witnessing some of the greatest challenges to democratic regimes since the 1930s, with democratic institutions losing ground in numerous countries throughout the world. At the same time organized labor has been under assault worldwide, with steep declines in union density rates. In this timely handbook, scholars in law, political science, history, and sociology explore the role of organized labor and the working class in the historical construction of democracy.

Over a long career spanning four decades, Tong Yang-Tze has received critical acclaim for her large-scale, unrestrained cursive script. The subject of this 54-meter long calligraphic work is Immortal at the River, the poem by Yang Shen (1488–1559) that forms the preface to the standard edition of the Chinese historical novel Romance of the Three Kingdoms (San guo yan yi).  The Herbert F. Johnson Museum originally intended to exhibit this monumental calligraphic artwork from February through June of 2020 but due to the pandemic, it closed on March 15.