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An evening of contemporary chamber music brings together works by Haitian and Dominican composers in performances by faculty and guest artists. The concert features modern musical voices in the Dominican Republic, Haiti, and the diaspora, highlighting how composers of the twentieth century shaped distinctive chamber idioms while engaging folk materials, dance rhythms, and international modernist currents. The recital includes works Darwin Aquino, Pablo Gómez Estévez, Margarita Luna, Nathalie Joachim, Amos Coulanges, and Frantz Casséus, and many more.

This half-day symposium brings together scholars, performers, and graduate students to examine the music, history, and cultural contexts of Haiti and the Dominican Republic. Through papers, panel discussions, and an archival presentation, participants explore topics including musical exchange, nationalism, folklore, and performance practice on the island of Kiskeya. The symposium features contributions from invited scholars and Cornell faculty and students, fostering interdisciplinary dialogue at the intersection of research and performance.

Faculty and guest performers bring chamber music from Haiti and the Dominican Republic into close focus in this Center for Historical Keyboards Salon. Performance unfolds alongside commentary by Claude Dauphin, PhD, curator of the Society of Haitian Classical Music Research, and Cornell Music Professor Gabriela Gómez Estévez, inviting audiences to hear the development of chamber music on the island from the late nineteenth century, through the world wars, and into the mid-twentieth century.

Co-sponsored by the Center for Historical Keyboards (CCHK) and the Society for the Humanities.

Student musicians step into the spotlight with chamber and vocal music from Haiti and the Dominican Republic. Featuring works by Rafael “Bullumba” Landestoy, Julio Alberto Hernández, Werner Jaegerhuber, and Julio Racine.

The Cornell Chamber Orchestra, Gabriela Gómez Estévez, conductor, performs Margarita Luna’s Miniaturas Quisqueyanas (orch. Gómez), Stravinsky's Suites for Small Orchestra Nos. 1 & 2, and Schubert’s Symphony No. 5 in B-flat Major.

photo credit: Manifesto Designs

Recent U.S. military actions in Venezuela—including strikes on civilian boats, the seizure of oil tankers, and the abduction of President Nicolas Maduro—have raised questions about U.S. ambitions in Latin America and their implications for peace and international order. This panel brings together five prominent experts on Venezuelan history and politics, with the aim of deepening understanding of Venezuelan perspectives on recent events and their broader implications.

How are Venezuela’s political parties responding to shifting U.S. foreign policies? What are the likely effects of recent military actions on prospects for peace and stability in Venezuela and Latin America? Can the U.S. play a meaningful and legitimate role in helping Venezuelans restore democratic governance, and if so what policies might contribute to that goal?

Panelists

Irina Troconis, Professor, Cornell University (moderator)David Smilde, Professor, Tulane UniversityVeronica Zubillaga, Professor, Universidad Simón Bolívar, Caracas; Visiting Scholar, University of Illinois, ChicagoMargarita López Maya, Professor, Universidad Central de Venezuela
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Event Hosts

This virtual event is hosted by the Reppy Institute for Peace and Conflict Studies and cosponsored by the Latin American and Caribbean Studies Program. Both are part of the Einaudi Center for International Studies.

Primarily for undergraduates, this session offers guidance on how to write a winning proposal for the Fulbright U.S. Student Program. The session will be led by two Fulbright advisors with years of experience. Applying for a Fulbright? We encourage you to attend!