The Biden administration has promised to undo the damage to immigration caused by the Trump administration. And the new administration has many competing priorities, including the coronavirus pandemic, the economy, and climate change. In this first event in our Reimagining Citizenship series, what can the Biden administration realistically achieve to fix our broken immigration system and promote pathways to citizenship? What will it tackle first, and why? Cornell Law School professor Steve Yale-Loehr will moderate a panel discussion with three leading immigration experts.

Steve Yale-Loehr, Professor of Immigration Law Practice at Cornell Law School and Co-Director, Asylum and Convention Against Torture Appellate ClinicJorge Lima, Vice President of Immigration at Stand TogetherDoris Meissner, Senior Fellow and Director of the U.S. Immigration Policy Program at the Migration Policy InstituteKerri Talbot, Director of Federal Advocacy at Immigration Hub

This talk is part of Reimagining Citizenship, a speaker series by Cornell Migrations.

Ithaca Premiere>2019 > France/Germany/Switzerland > Directed by Thomas Balms
In Happiness (2014), filmmaker Balms chronicled 8-year-old Peyangki's initiation into a monastery and the arrival of electricity to his remote Bhutan village. In his new film, ten years have passed, and the filmmaker finds the teenage monk tied to his mobile phone, pursuing a romance over WeChat with a bar singer in Bhutan's capital. "...a fascinating tale of romantic melancholy played out against the peaceful, meditative backdrop of the Himalayas." (LA Times) In Dzongkha. Subtitled. More at participant.com/film/sing-me-song
1 hr 40 min

We will start taking reservations one week in advance of a film's first play date.
Reservations can be made here:
https://cinema.cornell.edu/virtual-cinema-order-form

Part of the Ronald and Janette Gatty Lecture Series

Anthony Irwin, Society for the Humanities Postdoctoral Fellow, Cornell University

This talk focuses on the production, ritual use, and recent mass proliferation of magical swords in northern Thailand. Considered to be some of the most powerful Buddhist objects in the northern Thai ritual repertoire, magical swords constitute a category of objects that are connected to state power, ritual efficacy, divine might, and the ability to change the course of personal spiritual progression through numerous rounds of rebirth. By presenting a number of historical, ethnographic, textual, and material examples of magical swords, this talk presents how northern Thai Buddhists use swords to demarcate Buddhist space, protect their homes from malevolent forces, and liberate themselves from the unruly outcomes of desire and attachment.

Ithaca Premiere>2020 > Spain > Directed by Nuria Gimenez
Using text from a woman's diary to accompany silent images of gorgeous home movie footage shot by her wealthy industrialist husband while traveling the world with him from the 1940s into the 1960s, this travelogue morphs into melodrama in a Òcinematic sleight of handÓ (New York Film Festival), winner of the Found Footage Award at the International Film Festival Rotterdam. In Spanish. Subtitled. More at bretzelandtequila.com/en/my-mexican-bretzel-eng/
1 hr 14 min

We will start taking reservations one week in advance of a film's first play date.
Reservations can be made here:
https://cinema.cornell.edu/virtual-cinema-order-form

Part of the Ronald and Janette Gatty Lecture series

Ian Baird, Professor of Geography and Director of the Center for Southeast Asian Studies (CSEAS), University of Wisconsin-Madison

For many Cambodians, the People’s Republic of Kampuchea (PRK) period of the 1980s is seen as a time of intense civil war, international isolation, and Vietnamese occupation: a dark period. In this presentation, which is based on my new book, Rise of the Brao: Ethnic Minorities in Northeastern Cambodia during Vietnamese Occupation, I explain the circumstances that led many ethnic Brao Amba people to join the Khmer Rouge in the 1960s. I also outline the events that resulted in most of the Brao in Taveng District, Ratanakiri Province—as well as some other ethnic minorities—turning against the Khmer Rouge, and fleeing to become political refugees in the Central Highlands of Vietnam and southern Laos in 1975. I then briefly explain the deterioration of relations between the Khmer Rouge and Vietnam, and how the refugees from Cambodia were organized into a fighting force designed to assist and especially legitimize the Vietnamese in removing the Khmer Rouge from power in 1979. For the Brao, the 1980s represented a kind of “golden age”, as their loyalty to Vietnam resulted in them being appointed to the highest positions in the government and military in northeastern Cambodia. Finally, I consider how Brao people evaluate the PRK period compared with present-day circumstances. Until recently, most modern histories related to Cambodia have been centered in the capital city of Phnom Penh. This research demonstrates the need to decenter Cambodian history and focus on what I call “marginal histories”, histories that are not marginal due to being unimportant, but rather because they are not centrally focused.

***Formerly titled "South of the Clouds, North of the Nagas: Yunnan's Changing Role in the Mekong Region." The title and abstract of this talk have changed slightly.***

Part of the Ronald and Janette Gatty Lecture series

Dr. Juliet Lu, Atkinson Center for Sustainability Postdoctoral Fellow, Department of Development Sociology, Cornell University

Since the late 1990s, Chinese investment in Laos has grown exponentially and is transforming many areas of the country. Chinese actors involved in driving this expansion, from traders to agribusiness firms to state officials, tend to insist that these investments are not just business endeavours but drivers of development. They often compare Laos to China 30 years ago in terms of its degree of economic development, articulating a narrative that China’s model of development can be exported and applied in other countries. In this talk, I present multiple perspectives on how ideals of development translate from China into the Lao context. I use the stories of three groups of actors engaged in the cross-border agribusiness investments and trade to show how narratives of development are rooted in personal histories and ties to China. These experiences often differ and the narratives of development that individual actors tell are motivated by their own strategic interests. Still, they demonstrate the tendency to compare the two countries as a way of understanding the rapid transformation of Laos through Chinese investment, and of considering broader implications for the future.

Part of the Ronald and Janette Gatty Lecture series

Gavin Douglas, Professor of Ethnomusicology and Adjunct Professor of Anthropology, UNC Greensboro

According to the seventh Buddhist precept, participation in musical events in the Theravada Buddhist world is deemed inappropriate for devote laity and those who have taken monastic vows. However, in practice, the life of lay Buddhists and monks is filled with sculpted sound. In this talk, I will examine this precept among the activities of Buddhists in Myanmar. In addition to many Buddhist inflected traditions that are recognized as music (zat theatre, thachin gyi, dhamma gita), there are numerous others situation where sound is musically organized to further Buddhist goals (paritta chants, prayers, sermons, bells and gongs to mark ritual moments). Interviews with Burmese monks, devote laity, instrument makers, and musicians documented by audio and video reveal many contradictory interpretations of the seventh precept. For Buddhist scholars, I aim to highlight the significant and largely unacknowledged role that sculpted sound plays in Buddhist practice. For music scholars, I will reveal sonics domains that have previously generated little attention.

Part of the Ronald and Janette Gatty Lecture series

Alexandra Dalferro, PhD Candidate in Sociocultural Anthropology, Cornell University

Silk textiles woven in Surin Province are recognized across Thailand for the complex matmi, or ikat, patterns they bear. Matmi patterns are achieved by tying hundreds of knots around bunches of threads to prevent color from seeping in and dyeing them in stages before they are woven. Master weavers design patterns that are quickly circulated and “copied” by other weavers, much to the dismay of the business owners who hold exclusive rights to sell some masters' sought-after silks. This talk engages the materiality of knots and techniques of knotting to think about power, ownership, and expertise among weavers and other competing actors in the silk industry in Surin. Focusing on the activities of master weaver Khru Aromdi, I examine discourses and debates about matmi copying. While tacit agreement exists among most designers that certain motifs and established patterns are part of a shared heritage and can’t be claimed by any one individual, this category’s boundaries often dissolve in practice, as distinct understandings of what constitutes “copying” are mobilized to accomplish various ends. Drawing from over one year of fieldwork in Surin, I foreground the specifics of everyday articulations of matmee imitation and the strategies developed both to facilitate and prevent copying. These moments reflect how actors grapple with tensions as they knot matmi bundles whose threads can be followed to discern tangles and patterns that are both visual and graphic, and cosmological and ideological.

Part of the Ronald and Janette Gatty Lecture series

Mai Van Tran, Ph.D., Department of Government, Cornell University

What accounts for the survival and long-term commitment of activists to social movements under repression? I argue for the role of an important yet oft-neglected player: civilian bystanders and observers of opposition activism. I propose that protective support by ordinary citizens helps the activists to escape crackdowns and bolsters their attachment to their movement. To test my argument, I study hard cases for activist survival during both protest and non-protest periods under the two decades of Burmese military rule 1988-2010, with an original qualitative dataset consisting of semi-structured interviews and written testimony of more than 100 ordinary citizens and former pro-democracy activists in Myanmar. The novelty of this dataset is the unprecedented number of voices from the average, non-contentious general public, which are mostly missing in existing research on social movements. This approach generates a novel perspective to better understand opportunities and constraints around movement entrepreneurs.

1988 > Hong Kong > Directed by Wong Kar Wai
With Andy Lau, Maggie Cheung, Jacky Cheung
Set amidst Hong Kong's ruthless, neon-lit gangland underworld, this operatic saga of ambition, honor, and revenge stars Andy Lau as a small-time mob enforcer who finds himself torn between a burgeoning romance with his ailing cousin and his loyalty to his loose cannon partner in crime whose reckless attempts to make a name for himself unleash a spiral of violence. Hong Kong auteur Wong Kar Wai's first feature length film. In Cantonese. Subtitled. Cosponsored with the East Asia Program.
1 hr 42 min

We will start taking reservations one week in advance of a film's first play date.
Reservations can be made here:
https://cinema.cornell.edu/virtual-cinema-order-form