With this newly translated version of The Running Boy, the fiction of Megumu Sagisawa makes its long-overdue first appearance in English. Lovingly rendered with a critical introduction by the…

How can the "voiceless" voice be represented? This primary question underpins Ishikawa’s analysis of selected work by Buraku writer, Nakagami Kenji (1946-1992). In spite of his Buraku background,…

The chapters in this ground-breaking volume examine the complex practices of biographical writing in Ming and Qing China.

Hoaxes! Jokes! Farces and fun! China’s Chaplin introduces the imagination of Xu Zhuodai (1880–1958), a comic dynamo who made Shanghai laugh through the tumultuous decades of the pre-Mao era.

Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100-1125).

Translator: Britten Dean

Labor Activism and Colonial Governance in Hong Kong chronicles a long neglected yet formative social and political movement in Hong Kong between the 1930s and 1950s.

No More Nagasakis is Tomokazu Ihara's speech delivered in Japanese at Cornell University, describing the bombing of his home city of Nagasaki in 1945.

Jooyeon Rhee provides an innovative and compelling analysis of gendered representations of nation and modernity in early twentieth-century Korean novels.

A cultural history of writer and literary critic Hayashi Fusa's (1903–75) tenkō experience, Stories from the Samurai Fringe examines Hayashi's tenkō (ideological conversion) through a close…